CD Review: C Force Deep Blue

Authors

  • Adam Walters University of Trinidad and Tobago

DOI:

https://doi.org/10.15362/ijbs.v20i1.223

Abstract

The Caribbean is well known for the indigenous musical forms that evolved during the region’s colorful and frequently troubled history. Mass migration resulting from the slave trade threw together the musical traditions of Africa, Europe and North America resulting in styles such as junkanoo (The Bahamas), reggae (Jamaica) and soca (Trinidad) to name just a few that have grown to become widely popular today. Far less known, however, is the small yet significant repertoire of “art music” written by composers living and working in the region.

Author Biography

Adam Walters, University of Trinidad and Tobago

Academy for the Performing Arts

References

De Lerma, D.-R. (2013, December). Deep Blue by C Force [Review]. http://africlassical.blogspot.com/2013/12/dominique-rene-de-lerma-deep-blue-by.html

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Published

2014-07-07

How to Cite

Walters, A. (2014). CD Review: C Force Deep Blue. International Journal of Bahamian Studies, 20(1), 76–78. https://doi.org/10.15362/ijbs.v20i1.223

Issue

Vol. 20 No. 1 (2014): International Journal of Bahamian Studies

Section

Book and Media Reviews

License

The IJBS is an open access journal that does not charge article processing fees. As such, copyright is retained by the author. Authors may freely distribute their article as long as reference to the publication of the article in International Journal of Bahamian Studies is retained. A Creative Commons License is applicable to the IJBS.