Cultural Identity in Bahamian Art Music: The Expression of Four Bahamian Composers
DOI:
https://doi.org/10.15362/ijbs.v19i2.189Keywords:
ComposersAbstract
This article is a transcription of the presentations of the participants of the first session of the International Symposium on Composers of African and Afro-Caribbean Descent held at the College of The Bahamas in February 2013. Edward Bethel moderated the session, which included guest artists Cleophas Adderley, Audrey Dean-Wright, Christian Justilien, and K. Quincy Parker. These four prominent Bahamian composers discussed their pieces, focusing on their compositional style and how/if cultural identity is a strong component of their works. Featured compositions contain hyperlinks to audio/video-recorded examples.References
Adderley, C. R. E. (1999). Three Bahamian folk songs. Hal Leonard. Inventory #HL 08741919
Adderley, C. R. E. (n.d.). Big bunch, a little bunch. Hal Leonard. Inventory #HL 08742757
Gangelhoff, C., Gibson, R., & Johnson, C. (2011). From classical to calyspo: An interview with Bahamian composer and conductor, Cleophas R. E. Adderley. The International Journal of Bahamian Studies, 17(1). https://doi.org/10.15362/ijbs.v17i1.148
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Published
2013-11-11
How to Cite
Wright, C. L., & Gangelhoff, C. (2013). Cultural Identity in Bahamian Art Music: The Expression of Four Bahamian Composers. International Journal of Bahamian Studies, 19(2), 79–92. https://doi.org/10.15362/ijbs.v19i2.189
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Conference Proceedings