Art Music by Caribbean Composers: Bahamas

Authors

DOI:

https://doi.org/10.15362/ijbs.v17i1.150

Keywords:

Music,

Abstract

The cultural identity of the Bahamas owes much to its West African and British colonial heritages and to its physical proximity to the United States. A combination of African and European elements - rhyming spirituals, anthems, rushin' music at watch-night services, wake and setting-up songs; ringplays, fire dance, jump-in-dance, quadrille music (rake-‘n’-scrape music), goombay, and junkanoo - can be seen in musical traditions throughout the Caribbean, including art music.

Author Biographies

Christine Gangelhoff, The College of The Bahamas

Assistant Professor Department of Music School of Communications and Creative Arts

Cathleen LeGrand, Royal Thimphu College

Librarian

References

Charters, S. (2003). The day is so long, the wages so small: Music on a summer island. (2nd ed.). Marion Boyers.

First Bahamas festival. (1959). Music Educators Journal, 49, 90-92. https://doi.org/10.2307/3389244

Justilien, C. (2004). Bahamas entertainers. http://www.bahamasentertainers.com/index.html

Ingraham, V. (2007). The music of the Caribbean. In M. Kuss (Ed.), Music in Latin America and the Caribbean: An encyclopedia history, Vol. 2: Performing the Caribbean experience (pp. 359-374). University of Texas Press.

Rommen, T. (2009). "Come back home": Regional travels, global encounters, and local nostalgias in Bahamian popular musics. Latin American Music Review, 30(2), 159-183. https://doi.org/10.1353/lat.0.0043

Additional Files

Published

2011-07-19

How to Cite

Gangelhoff, C., & LeGrand, C. (2011). Art Music by Caribbean Composers: Bahamas. International Journal of Bahamian Studies, 17(1), 6–12. https://doi.org/10.15362/ijbs.v17i1.150

Issue

Section

Caribbean Art Music Bibliography